Please join us at our Tribeca location for a reading featuring writers Eugenie Dalland, Colleen Kelsey, Liana Satenstein, and artist Jocelyn Spaar.
Eugenie Dalland is a writer and editor based in upstate New York. Her writing has appeared in the Los Angeles Times, BOMB, Hyperallergic, Los Angeles Review of Books, The Brooklyn Rail, and Cultured. She published and edited the arts & culture magazine Riot of Perfume from 2011-2019. She has an MFA from the Bennington Writing Seminars and is working on her first book.
Colleen Kelsey is a writer living in New York City. She’s contributed to publications including i-D, The Metrograph Journal, Interview, T Magazine, and The Whitney Review. Her fiction has appeared in DAZED and The Skirt Chronicles.
Liana Satenstein is a New York-based fashion writer and former Senior Fashion Writer at Vogue. Her career focuses on niche, cult fashion. She founded the interactive vintage resale hub, NEVERWORNS, where she consults guests on fashion dilemmas and archives forgotten trends. Her work often explores deep fashion history, "deep cut minutiae," and the emotional connection between people and their clothes.
Jocelyn Spaar is an artist, poet, curator, and translator who lives in New York. Her writings, drawings, and photography have appeared in Yale Review, American Chordata, The Paris Review Daily, The Magazine of the Artist's Institute, Gigantic, The Paper Nautilus, Bridge, Pelt, Storychord, Stonecutter, and elsewhere. She was the New York poetry editor of STILL magazine and former curator of the Segue Reading Series. She has translated work for New Directions, Archipelago, October magazine's October Files series, The Power Station, and The Swiss Institute. She has read and performed her work at the Kitchen, MoMA PS1, the Poetry Project, White Columns, Cambridge University, and elsewhere.
Cecilia Salama is an artist, curator, and award-winning fashion art director that lives and works in New York, NY. Salama's work focuses on desire, consumerism, and femininity, within the lens of a constant digital tether to society. Her work has been reviewed by I-D, WWD, ArtNews, Hyperallergic, and Artspace.