Exhibitions

Current

Aglaé Bassens
The Feeling Is Mutual 2022年1月13日 - 2月12日 Sonder: n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives... 继续

Past

Affective Histories
2021年11月18日 - 12月18日 S. Erin Batiste Christina P. Day Mandy Gutmann-Gonzalez Cate Richards Julia Rooney Kelsey Tynik “The tinsmith came to my help and made me a body of tin, fastening my tin arms and legsand head to it, by means of joints, so that I could move around as well as ever.”... 继续

Annette Hur: Watching From the Other Side
2021年11月18日 - 12月18日 Hesse Flatow is excited to present a new body of work by Annette Hur, marking the artist’s second solo exhibition with the gallery.Titled Watching From the Other Side, it will feature varied scales of oil paintings and Korean silk textile-collages. In recent years image-making has taken on a deeply personal... 继续

Kate Klingbeil: Uprooted
2021年10月14日 - 11月13日继续

Devra Fox: Stem
2021年10月14日 - 11月13日继续

Kirsten Deirup: Hyper Pastoral
2021年9月9日 - 10月9日 Hesse Flatow is pleased to present Hyper Pastoral, a solo exhibition by New York-based painter Kirsten Deirup. For the exhibition, which includes fourteen new works in oil on linen, Deirup expands upon her years-long rumination on the idea of the pastoral into the hyper-pastoral, creating works depicting an amplified version... 继续

Stacy Fisher: The Fact That
2021年9月9日 - 10月9日 Hesse Flatow is pleased to present The Fact That, an exhibition of abstract paintings by Stacy Fisher. The exhibition borrows its title from the novel Ducks, Newbury Port by Lucy Ellmann. Written as a stream of consciousness narrative, the protagonist speaks in a single run-on sentence and her brief thoughts... 继续

Carl D'Alvia: Liths
@ The Art Center at Duck Creek 2021年7月17日 - 9月4日 This show is presented in collaboration with Hesse Flatow Gallery, based in New York City and Amagansett, NY. In a review of Hesse Flatow’s recent exhibit “Sometimes Sculpture Deserves a Break” New York Magazine critic Jerry Saltz states ““Sculpture is in eternal struggle and perpetual conversation with gravity. In his... 继续

Shifted Horizon
2021年7月15日 - 8月13日 HESSE FLATOW is pleased to present a group exhibition of contemporary landscape painting, featuring work by 8 artists. Shifted Horizon consists of natural and built horizons which range in medium and interpretation, collectively disrupting the cliché notion of the formal genre of landscape painting. The once steady horizon line has... 继续

Plum Cloutman: Emergency
2021年7月15日 - 8月13日 HESSE FLATOW is delighted to present Emergency, a solo exhibition of London and North Norfolk-based painter and printmaker Plum Cloutman. The exhibition, the artist’s first in the United States, features sixteen works richly redolent of Cloutman’s idiosyncratic world and distinct sensibility. Whole scenarios unfold in her elusive story-book vignettes, drawing... 继续

Quentin James McCaffrey, "False Azure"
@ HESSE FLATOW EAST 2021年6月19日 - 7月10日 A solo show of new paintings by Quentin James McCaffrey, who draws from Quattrocento Italian painting and 17th century Dutch interiors in their use of simple geometry, symbolism, as well as in their stoicism. Drawing a parallel between intimate personal experience and imperfect historic narratives, he compares the domestic and... 继续

Carl D'Alvia: Sometimes Sculpture Deserves a Break
2021年6月3日 - 7月10日 HESSE FLATOW is pleased to present a solo exhibition of new works by sculptor Carl D’Alvia, which will include the debut of his newest series of large-scale, brightly-colored aluminum sculptures which he refers to as “Liths.” Sometimes Sculpture Deserves a Break marks the artist’s first exhibition with the gallery. Known... 继续

Glyphadelphia
curated by Carl D'Alvia 2021年4月29日 - 5月29日 HESSE FLATOW is pleased to present “Glyphadelphia,” an intergenerational group exhibition organized by sculptor Carl D’Alvia of artists who use different variations of a glyph—ancient hieroglyphics, a question mark, shapes, icons and symbols—as a departure for their work. Artists: Alyssa McClenaghan, Amanda Martinez, Amy Feldman, Amy Pleasant, Andrea Belag, Angela... 继续

Gordon Hall: End of Day
2021年3月26日 - 4月24日 HESSE FLATOW is delighted to announce END OF DAY, a solo exhibition of 16 new sculptures by Gordon Hall to be presented across all three gallery spaces. As an inanimate proxy for the type of worker whose name it shares, the clothes valet was designed to serve a very specific... 继续

THE SYMBOLISTS: LES FLEURS DU MAL
2021年2月18日 - 3月20日 In the gory aftermath of the Third Republic and the 1871 Commune, the Symbolist movement of 19th-century France turned away from the scientific rationalism and Realist reportage of an industrializing age. These artists and poets, disillusioned with the banal repetition of art in their time—“copy in copy, simulation in simulation”—looked... 继续

Courtney Puckett: The Helpers
2021年1月14日 - 2月13日 The armature and skin represent for Puckett a subcutaneous invisible energy that flows between the bone and the surface of the body. This energetic field is conducted through linear elements and color that heat up or cool down. The works in this show start by conglomerating discarded items then meditatively... 继续

Annette Hur: Willful Unknowing
2021年1月14日 - 2月13日 The metaphorical use of insects, animals, and nature delves into the expressive power of the simplest apparatus of a living human body: instinct, intuition, fear, survival. Hur demonstrates this with hyper color-filled large-scale oil paintings that flex between abstract and recognizable forms, such as a falling rabbit, flowers, butterflies or... 继续

Phil Cote: Almost Everything
2021年1月14日 - 2月13日 'DEEP FIELD,' the painting announces like a SIGNAL AHEAD sign along some intergalactic highway. Its boundaries contain a collection of tiny dots and dabs of oil paint, attentively applied with a #1 synthetic brush, signs for distant celestial events which sit across the painting's shallow pictorial surface. Cote's constellations of... 继续

Quentin James McCaffrey: Promises
2020年12月3日 - 2021年1月9日 McCaffrey’s worlds are of an arrested time, a stillness emphasizing the activity that is outside its borders. Using single-point perspective, layers of oil paint on panel or canvas, and a focus on light, he renders domestic interior spaces. His motionless interiors seek to call into question the narratives that become... 继续

Chang Sujung: 88.61 lbs
2020年12月3日 - 2021年1月9日 This exhibition features the artist’s newest body of work completed over the past year and a half. Chang carves miniature versions of her bedroom furniture and other personal belongings out of alabaster. Each object is scaled to replicate the weight of the original. For example, Chang carves two iterations of... 继续

Common Expression: Gordon Hall, Carrie Rudd, Ilana Savdie, Howard Spann, and Alina Tenser
Curated by Jesse Greenberg 2020年12月3日 - 2021年1月9日 Common Expression is an attempt to call to attention newly emerging themes in art that have been dormant for some time, works that reinvigorate abstract expressionism and performative objects that induce intimate expressions by the viewer. The paintings in this show by Carrie Rudd, Ilana Savdie and Howard Spann are... 继续

Virginia Lee Montgomery: Dream Cocoon
2020年10月22日 - 11月21日 Hesse Flatow is pleased to present Virginia Lee Montgomery's DREAM COCOON, a multi-media exploration of metaphysical feminist panpsychicism through sculpture, performance, and film. Virginia Lee Montgomery (VLM) exhibits a series of marble ponytail sculptures, made after ambiguously erotic shapes of primordial protozoa, and a dream-logica film: BUTTERFLY BIRTH BED. During... 继续

Aglaé Bassens: Sincerely,
2020年10月22日 - 11月21日 'Soon, objects take form and fall into place; in a little while, the vigorous, firm totality appears, and one tastes real pleasure in contemplating this bright, serious painting, which yields up nature with a sweet brutality.' - Emile Zola, writing on Edouard Manet, 1867 Hesse Flatow is pleased to present... 继续

Amanda Baldwin: Raindrops are Spheres
2020年9月10日 - 10月17日 A field of navy evening sky. A washed-denim zigzag; the horizon of a mountain range. An ultramarine melon. An indigo cypress tree. For Amanda Baldwin's solo exhibition, Raindrops are Spheres, the artist expands her focus from still life to landscape, finding commonalities between micro and macro in the rhythms and... 继续

Elisa Soliven: Memory in the Shape of a U
2020年9月10日 - 10月17日 Hesse Flatow is pleased to present Memory in the Shape of a U, a solo exhibition of new ceramic sculpture by Elisa Soliven. Soliven's ceramic vessels bulge and twist, braced in by the clay network that interconnects the surface. Studded grids of colorful tile-like fragments are linked by conduits. Aluminum-leafed... 继续

Talia Levitt: Two Truths and a Lie
2020年7月9日 - 8月8日 HESSE FLATOW is pleased to present TWO TRUTHS AND A LIE, the debut solo exhibition of paintings by Talia Levitt. Levitt's mischievous and maximalist still life paintings reveal the artist's interest in games, mise en abyme, and meta-experiences. Establishing a surprising kind of mimicry in which the surface and material... 继续

Eliot Greenwald: Night Car
2020年7月9日 - 8月8日 HESSE FLATOW is pleased to present Eliot Greenwald's NIGHT CAR, his first gallery solo exhibition in New York City. A book will accompany the exhibition. NIGHT CAR is a series of paintings and drawings that are the result of a tangent or mutation that was sparked from something unrelated, a... 继续

Lost World
Alexander Harrison, Barry Hazard and Quentin James McCaffrey 2020年7月9日 - 8月8日 Hesse Flatow is pleased to present Lost World , a three-person show addressing longing and the nostalgia for place, a kind of ache for the location of origin and desire. Each of these artists seeks to formulate a realizable world, a world which in a sense is a microcosm of... 继续

Ilana Harris-Babou: Decision Fatigue
2020年2月20日 - 5月16日 Hesse Flatow presents our first solo show with Ilana Harris-Babou, Decision Fatigue, debuting her latest video alongside ceramics and collage works. In the video, the artist’s mother stages an intimate, absurd, sometimes painful makeup tutorial and traces the choices she has made in her life, both large and small, to hold onto youth and remain well. 继续

Francesca Facciola: Evil Microwave (A New Era in Cooking)
2020年2月20日 - 5月16日 Hesse Flatow presents the debut solo exhibition of oil paintings by Francesca Facciola. Facciola's paintings create a peculiar parallel universe, corralling stream-of-consciousness images with obsessive attention. 继续

Contain
Curated by Nicole Kaack 2020年1月28日 - 2月1日 Chang Yuchen, Paige Landesberg, Shanzhai Lyric January 28—February 1, 2020 Opening: Tuesday, 1/28, 6-8PM Book launch: Friday, 1/31, 6-8PM Closing event: Saturday, 2/1, 6-8PM HESSE FLATOW 508 West 26th Street, Suite 5G New York, NY 10001 Inquiries: info@hesseflatow.com A “good” shop window, like a “good” advertisement, organizes its selection of... 继续

Proposition
curated by Jesse Greenberg 2019年12月12日 - 2020年1月11日 Maria Antelman, Carver Audain, Karen Azoulay, Nathaniel deLarge, Ben Hagari, Hugh Hayden + Zachary Heinzerling, Meredith James, Jonah King, Bahareh Khoshooee, Molly Lowe, Asif Mian, Virginia Lee Montgomery, Robert Sandler + Jessica Wilson, Theodore Sefcik, Jessie Stead, Alina Tenser, and Siebren Versteeg Hesse Flatow announces Proposition, an exhibition of seventeen... 继续

Liz Naiden: Piece for One
2019年12月12日 - 2020年1月11日 Hesse Flatow is pleased to announce Liz Naiden's debut solo exhibition, Piece for One. This participatory, multichannel video installation is part of an ongoing body of work that uses projected text to guide the visitor's movements through space. Drawing on choreography, architecture, and experimental theater, Piece for One asks each... 继续

Table Manner
Anthony Iacono, Sacha Ingber, and Caitlin MacBride 2019年10月24日 - 11月23日 Hesse Flatow is pleased to present Table Manner, showcasing the collaged paper works of Anthony Iacono, the multi-material sculpture and wall works of Sacha Ingber and oil paintings by Caitlin MacBride. 继续

Amy Beecher: Container Store Cantastoria
2019年9月19日 - 10月19日 Amy Beecher's show of 'printed-out paintings' are explored through cantastoria, an ancient and still-practiced method of performing paintings through song. Beecher's libretto borrows language from Hans Hoffman's Search For The Real mixed with assembly instructions for Container Store shelving units. Paintings will be activated as didactic props by a performer... 继续

Charlotte Hallberg: Blind Aura
2019年9月19日 - 10月19日 Hesse Flatow is pleased to present a solo exhibition of new work by Charlotte Hallberg entitled Blind Aura. This is her second show with the gallery. Hallberg will showcase her most recent tondo oil paintings, as well as small scale graphite drawings on paper. Bold geometries and atmospheric color play... 继续

Asif Mian: RAF’s Red Plaid
What is it to be haunted by force instead of form… appearing like a blinding translucence rather than a deep footprint… 2019年6月6日 - 7月13日 Working at the intersection of sculpture, installation, video and performance, Mian’s practice explores how ritual, (hyper)masculinity, power, and violence shape our culture. In this new body of work, the artist takes eyewitness accounts of a personal trauma as the starting point. Comprised of drawings, sculptures and video, Mian’s installation interconnects... 继续

Alina Tenser: Reading Room
2019年4月25日 - 5月24日 CRUSH Curatorial is thrilled to present Alina Tenser: Reading Room, a participatory space that invites the viewer to leaf through the artist’s new sculptural volumes. A large S-shaped table supports three boxes. Scaled to resonate with bodily volume, specifically the torso and head, these six-sided containers can be seen as... 继续

Open Mind
Selvia Apparicio and Virginia Lee Montgomery 2019年4月19日 - 5月19日 CRUSHCURATORIAL is pleased to present OPEN MIND, a two person conceptual video-art and sculpture show about memory, materiality, death, and dreams. Selva Aparicio and Virginia Lee Montgomery present new artworks made across Spain, Texas, dream-worlds, real-worlds, anatomy morgues, and corporate convention hotel rooms. Conceived from a text Virginia Lee Montgomery... 继续

Adama Delphine Fawundu: The Sacred Star of Isis
2019年3月14日 - 4月6日 In this newly-conceived body of work, the artist takes the ancient West African deity, Mami Wata, as a departure point and builds on her engagement with her Mende heritage of Sierra Leone. Linking known and under-recognized geographies of the African diaspora, Ms. Fawundu’s work upends national and temporal borders, invoking... 继续

Jessica Sara Wilson: Faulty Bulb
curated by Alison Karasyk 2019年2月14日 - 3月9日 One or more red or combination red and white lights, or one white light which must be revolving, rotating, flashing, oscillating or constantly moving light, may be affixed to an authorized emergency vehicle. - New York Consolidated Laws, Vehicle and Traffic Law - VAT § 375. Equipment, subsection 41: Colored... 继续

surreality
Alicia Adamerovich, Amanda Baldwin, Amie Cunat, Carl D'Alvia, Kirsten Deirup, Dominique Fung, Kathleen Granados, Angela Heisch, Peter LaBier, Zoe Nelson, Tammy Nguyen, Johanna Robinson, Sarah Slappey, Maureen St. Vincent, Emily Weiner, Ryan Wilde, Kalina 2019年1月8日 - 2月8日 Featuring: Alicia Adamerovich, Amanda Baldwin, Amie Cunat, Carl D'Alvia, Kirsten Deirup, Dominique Fung, Kathleen Granados, Angela Heisch, Peter LaBier, Zoe Nelson, Tammy Nguyen, Johanna Robinson, Sarah Slappey, Maureen St. Vincent, Emily Weiner, Ryan Wilde, Kalina Winters Crush Curatorial is delighted to announce surreality, a group exhibition that brings together seventeen... 继续

Matthew Morrocco: ORCHID.seasons - winter
2018年12月14日 - 12月22日 In this series of self-portraits, the artist’s full body suit has turned from orange (fall) to a cold blue. In the suit, the artist becomes an abstract subject, the faceless character called Orchid. The figure traverses mountains and frolics in snow and ice. The resulting images provide a potential antidote... 继续

Sarah Slappey: Night Feeding
2018年11月15日 - 12月8日 Crush Curatorial is pleased to announce Night Feeding, Sarah Slappey’s solo debut in New York. The exhibition premieres a series of new paintings that “investigate paradoxes within both the natural and human world.” Intersecting human and environmental boughs, Slappey’s enigmatic works connect vulnerabilities and affinities of the present through lush... 继续

One Blue Eye, Two Servings
Nicole Won Hee Maloof and Tammy Nguyen 2018年10月18日 - 11月10日 Crush Curatorial is pleased to announce One Blue Eye, Two Servings, a two-person exhibition featuring video, etchings, and silkscreens by Nicole Won Hee Maloof and a series of paintings by Tammy Nguyen. Troubling relationships linked to visual perception and cultural construction, Maloof and Nguyen’s individual practices investigate the role of... 继续

Hope Floats
A basin-based art exhibition for a final autumnal dip 2018年10月6日 - 10月7日 Do not swim on a full stomach. There is a hollow feeling on Labor Day when the summer ends.(1) The pool knows it well. Once upon a time, the pool knew what it meant to shine. Now neglected. Do not swim on a full stomach. What exists now is... 继续

Rebecca Warlick: I'm Your Man
2018年9月20日 - 10月13日 Invested in painting as a method of covering, Warlick’s experimental urethane compositions suggest the artist’s pivot away from traditional means of painting in pursuit of plastic-poured painting. Concealing bygone layers of wood panel with a material that cures in minutes, Warlick integrates epoxy clay forms into a selection of these... 继续

Matthew Morrocco: ORCHID.seasons - fall
2018年9月6日 - 9月15日 ORCHID.seasons features Morrocco posing in a variety of monochromatic body suits set in lush natural landscapes. These suits obscure his identity and represent the colors that comprise the spectrum of visible light: red, green, blue, orange, yellow, violet. Whereas his earlier bodies of work court and complicate cultural narratives... 继续

Science Fictions
Curated by Nicole Kaack 2018年6月28日 - 8月6日 Approaching the present from opposing tenses, Vainsencher and Nelson cast archeological discovery and space exploration as fictions of a future and past. The composite forms of Nelson’s gelatin silver prints and Vainsencher’s photo-collages offer terrain for postulation and exploration in the full-bodied invention of a vase’s plump form and the... 继续

Electric Mayhem: Caroline Wells Chandler and Jennifer Coates
2018年5月24日 - 6月23日 Electric Mayhem is the name of the band on The Muppet Show that had their debut in 1975 and featured colorful puppets playing rock music. Electric Mayhem is best manifested in the character of Animal, who played drums and couldn’t contain his unwieldy orange and pink energy, and whose spirit... 继续

Aglaé Bassens
You Can See Better From Here 2018年3月16日 - 4月14日 Inspired by her recent move to New York City from London and experiences here as an immigrant, Aglaé Bassenscontinues her exploration of windows, obfuscated views, and the gaze. The paintings in this exhibition remain opaque, offering only reflections or closed curtains or blocked views. Keeping their back to the wall,... 继续

LAUREN FAIGELES in FUNNY GIRL!
2018年2月8日 - 3月10日 Have you ever wondered how to achieve self-actualization while never having to leave your bed? Well I have a few ideas and if you do too, we should join forces, create a product and go on Shark Tank. While films have The Bechdel test, my works have to comply with... 继续

HUNGER: DeYoung + Westbrook
2018年1月4日 - 2月3日 The exhibition takes its name from Knut Hamsun’s seminal modern novel, a story of an unnamed starving artist who wanders the urban landscape in search of fulfillment for insatiable yearnings. Like Hamsun’s novel, DeYoung and Westbrook’s collaboration is driven by desire. The work explores a longing to reconcile ego, culture,... 继续

Taro Suzuki / Charlotte Hallberg: Second Sight
2017年11月9日 - 12月2日 Starting a conversation via email, they pondered Goethe’s quote: “Every decided color does a certain violence to the eye, and forces the organ into opposition.” “Something about this idea resonates with me”, commented Charlotte, “even if its slightly hyperbolic. As a painter of highly saturated and sometimes extreme palette, I... 继续

Bill Komoski/Lauren Silva
2017年10月5日 - 11月4日 Bill Komoski has been praised since the late 1980’s for “not pursuing novelty at the expense of painterly exploration” but offering a visual experience “akin to watching a system go from order to chaos and back.” Singled out by Howard Halle as an artist “every art fan should know (Timeout... 继续

EAT/ING YOUR HEART OUT
Curated by Molly Surno 2017年9月16日 - 10月2日 As part of an ongoing collaboration and conversation with artist-run CRUSH CURATORIAL, Eat/ing Your Heart Out is an investigation of how, why, how much, and what drives our impulse to eat. Eating nourishes and depletes; gives and erodes; is both solitary and collective. What happens to our bodies through eating:... 继续

Romantic Destinations
Curated by Charlotte Hallberg 2017年7月13日 - 8月5日 Parallel vistas, soupy knolls in dimmed half-light, the acid color of an infinite gaze, the celestial lawn. ROMANTIC DESTINATIONS presents a vision of the natural world pressed through the custom filter of each artist’s observations. The land is a perennial subject, and our current landscape is mirrored, magnified, and enhanced... 继续

Fantastic Plastic
Curated by Jaqueline Cedar 2017年5月25日 - 6月24日 The works in FANTASTIC PLASTIC stretch the humor in their making. They hold meaning with slippery hands and languish in pleasure as impending doom abounds. Dispassionate and stuck, sutured and tucked, these artworks drag their feet and lift their chins. The artists presented play with their own vulnerability as they... 继续

Eva O'Leary: Spitting Image
2017年4月6日 - 5月13日 CRUSH CURATORIAL is pleased to present Spitting Image, Eva O’Leary ’s New York solo debut exhibition which opens April 6th, 6-8 pm and runs through May 13th, 2017. The women in Spitting Image are not vain or pitiable, nor are they comfortable in their own skin. They are young women... 继续

Kate Klingbeil: Thick
2017年2月17日 - 3月26日 CRUSH CURATORIAL Chelsea is pleased to present “THICK” new work by Kate Klingbeil, opening February 17th from 6-8, and running through March 26th, 2017. As a constant observer and an American woman, Kate Klingbeil has borne witness to a tremendously affecting, and undeniably bizarre, sociocultural harvest. Events of recent years... 继续

Eric Brown: Suchness
2016年10月28日 - 11月11日 He used to call himself a “secret painter,” but has quite visibly gone public over the past three years, with solo outings at Ille Arts in Amagansett and at a survey show at Vassar College. Brown’s small-scale and medium-scale works are all about possibilities. Each displays a record of generative... 继续

The Castle of Perseverance
Curated by Molly Surno 2016年10月8日 - 10月22日 The show takes its title, The Castle of Perseverance, from the first theatrical production to citevand utilize props outside of masks. Theatrical property, later known as props, was characterized by their portability and capacity to suspend disbelief. In the original play, there is an “allegorical battle between good and evil... 继续

Jacqueline Cedar: Hug Me, Squeeze Me
2016年9月8日 - 10月16日 In Jaqueline Cedar’s new work featured in Hug Me, Squeeze Me, the artist grapples with the unstable relationship between the whole and its parts, as once captured by Gogol in his satirical story of a Russian “committee-man” whose nose leaves his face and gallivants around St. Petersburg. As a painter,... 继续

Territory: Abstraction in the East End Today
Organized by Henry Brown, Karen Hesse Flatow & Li Trincere 2016年6月18日 - 6月26日 Territory has a double meaning. It refers to an area of knowledge or experience, the artists’ voice in their work, their territory. Territory also has a geographic reference to an area of land with regard to a particular type of activity or characteristic. American Impressionists, Abstract Expressionists, and artists through... 继续

Charlotte Hallberg: Short Sight Soft Touch
2016年6月2日 - 6月30日 CRUSH CURATORIAL is pleased to present Short Sight Soft Touch, new paintings by Charlotte Hallberg, opening June 2nd, 6-8pm, and open by appointment through June 30th. “And the students asked me what I was going to do. I said, and stuttered, ‘To open eyes.’ And this became the rule... 继续

Alt-Egos
Curated by Scott Bluedorn 2016年4月28日 - 5月26日 “In a codified, commodified and often rigid art world, the artist is often stifled and forced into a clearly identifiable box in order to be successfully marketed. Galleries and institutions often pander according to taste, style and output, a practice that is limiting to the artist and often retards or... 继续

Online

All By Myself
in collaboration with DRAWER 2020年8月31日 - 9月20日 Drawer and Hesse Flatow are pleased to present All By Myself, an online exhibition of original works on paper by Aglaé Bassens, Jaqueline Cedar, Devra Fox, Eliot Greenwald, Barry Hazard, Peter LaBier, Sophie Larrimore, and Elizabeth Schweizer. All By Myself highlights work made this year in social isolation. Left to... 继续

Unraveling
An episodic online group show 2020年5月22日 - 8月8日 An episodic online group show to be released over the course of a month 继续

CAVE MATTER
Tammy Nguyen 2020年11月17日 - 12月19日 CAVE MATTER IS AN ON-LINE EXHIBITION OF NEW PAINTINGS BY TAMMY NGUYEN WHICH DRAWS FROM HER RECENT WRITTEN WORK, PHONG NHA, THE MAKING OF AN AMERICAN SMILE (UGLY DUCKLING PRESSE, 2020). THE PUBLICATION IS A STORY ABOUT A GIRL WHO WAS BORN MISSING TWO OF HER FRONT TEETH, THE... 继续

This is Fair
NADA On-line Fair 2020年5月20日 - 6月21日 FAIR Presented by NADA Featuring works by Aglaé Bassens, the New Art Dealers Alliance (NADA) is pleased to present FAIR, built in partnership with Artlogic. FAIR , a new art fair initiative designed to be entirely online, function cooperatively, and act as a benefit for NADA’s community of galleries, nonprofits... 继续

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