Aglaé Bassens in "Why People’s Is the Club That Revelers Never Want to Leave"

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Underneath a brown velvet banquette, a painting of a black cat stres out at you from above. A low-slung bar serves as a sort of ushering hallway into the farthest room, where the labor-of-love skylight doesn't detract from more paintings by Lizzy Lunday and Aglaé Bassens. Hauer-King noted that one of the only issues she's accrued from her nightly staff reports is that customers don't want to get up and leave, even after hours.