“To understand light you need first to have been buried in the deep-down dark.”
― Robert Macfarlane, Underland: A Deep Time Journey
Hesse Flatow is pleased to present Uprooted, a solo exhibition of new works by multidisciplinary artist Kate Klingbeil. An exploration of the self and psyche, Klingbeil expands on herearlier series of elaborate subterranean paintings and ventures into a new body of work thatconcentrates around a central root woman figure, who is both character and symbol for muchof Klingbeil’s own internal experiences. Through paintings, cast metal sculptures, and a stop-motion film,Uprooted is a singular and abundant showcase of Klingbeil’s vivid world-building and personal narratives.
Much of this body of work investigates the cycle of excavating and emerging—processes universally experienced over the past eighteen months due to the pandemic.Presented together as a complex ecosystem, the works construct a fantastical narrative of apersonified root attempting, with some difficulty, to exhume herself from the dense, dark underground.Klingbeil’s paintings are created in a three-dimensional, collage-like process; layering paint andembedding ceramics, cast metal reliefs, found objects, and various sedimentary materials. Her root figure ispresented as a main character in various stages of emergence. In one piece, her vascular,tendriled body is ripped from the earth, in another, she excavates herself with a shovel towardsthe earth’s surface. Tightly packed with hidden language, personal iconography, and complexcompositions, her paintings are a visual scavenger hunt from start to finish. In conversation withher painted works are Klingbeil’s new cast of root character sculptures (cast in bronze, iron,and brass). They are presented in various states of movement, atop natural rocks and sand shaped into a figure of a woman, who is becoming one with—or emerging from—the earth.
As winter ends, the vibrant life beneath the earth’s crust beckons to the surface. Signs of life,rebirth, and regeneration make themselves known and the stillness of the season begins tovibrate with new energy. Klingbeil’s work is an invitation to this transitional moment, allowingviewers to travel the narrow pathways and tunnels of personal upheaval. Reflecting on how ourbodies and emotions mirror the intricate systems found in nature, Klingbeil’s work implores viewers to contemplate their relationship with the hidden parts of themselves and the natural landscapes they inhabit. In her own words: “The underground is an incredibly rich,complex, and expansive landscape that is often overlooked, but worthy of deep investigation.It is in the underground that both germination and burial happen, the beginning and the end of all life on earth.”
Kate Klingbeil (b. 1990) lives and works between Milwaukee and New York. She has exhibitedher work at Steve Turner, Los Angeles (GrownWoman, 2021); SPRING/BREAK, New York withField Projects (Burrowed, 2020); Monya Rowe, New York (OnTheInside with Rebecca Ness,2019) and Crush Curatorial, New York (Thick, 2017). Kate has been included in groupexhibitions at Nino Mier, Los Angeles (2021); Steve Turner, Los Angeles (2020); Nevven Gallery,Gothenburg, Sweden (2019); Andrew Edlin, New York (2019); Paul Kasmin, New York (2018), The Hole,New York (2018), and Andrew Rafacz, Chicago (2017). Residencies Kate has attended includeSilver Art Projects at 4 World Trade Center (2021), Oak Spring Garden Foundation (2021),Marble House Projects (2021), the Arts/Industries program at John Michael Kohler Art Center(2020), Yaddo (2019), and ACRE (2016). Her work has been written about in the New YorkTimes (2020), Artnet (2020), and Maake Magazine (2019), among other publications.